fifteen hundred! The fertility of his invention and the facility of his
hand were wonderful; yet his prints are accurately designed. He
frequently made several drawings for the same plate before he was
satisfied. Watelet says that he saw four different drawings by him for
the celebrated Temptation of St. Anthony. His drawings are also greatly
admired and highly prized.

CALLOT'S PATRIOTISM.

When Cardinal Richelieu desired Callot to design and engrave a set of
plates descriptive of the siege and fall of his native town, he promptly
refused; and when the Cardinal peremptorily insisted that he should do
it, he replied, "My Lord, if you continue to urge me, I will cut off the
thumb of my right hand before your face, for I never will consent to
perpetuate the calamity and disgrace of my sovereign and protector."

INGENUITY OF ARTISTS.

Pliny asserts that an ingenious artist wrote the whole of the Iliad on
so small a piece of parchment that it might be enclosed within the
compass of a nut-shell. Cicero also records the same thing. This
doubtless might be done on a strip of thin parchment, and rolling it
compactly.

Heylin, in his life of Charles I., says that in Queen Elizabeth's time,
a person wrote the Ten Commandments, the Creed, the Pater Noster, the
Queen's name, and the date, within the compass of a penny, which he
presented to her Majesty, together with a pair of spectacles of such an
artificial make, that by their help she plainly discerned every letter.
One Francis Almonus wrote the Creed, and the first fourteen verses of
the Gospel of St. John, on a piece of parchment no larger than a penny.
In the library of St. John's College, Oxford, is a picture of Charles I.
done with a pen, the lines of which contain all the psalms, written in a
legible hand.

"At Halston, in Shropshire, the seat of the Myttons, is preserved a
carving much resembling that mentioned by Walpole in his Anecdotes of
Painting, vol. ii., p. 42. It is the portrait of Charles I., full-faced,
cut on a peach-stone; above, is a crown; his face, and clothes which are
of a Vandyck dress are painted; on the reverse is an eagle transfixed
with an arrow, and round it is this motto: _I feathered this arrow._ The
whole is most admirably executed, and is set in gold, with a crystal on
each side. It probably was the work of Nicholas Bryot, a great graver of
the mint in the time of Charles I."--_Pennant's Wales._

In the Royal Museum at