y diverged into dark and lonesome beds, where a
continual gloom brooded. It was in vain that, after our old fashion, we
flung ourselves on the shores of the East, and talked of its gay
bazaars, of the splendors of the time of Haroun, of harems and golden
palaces. Black afreets continually arose from the depths of our talk,
and expanded, like the one the fisherman released from the copper
vessel, until they blotted everything bright from our vision.
Insensibly, we yielded to the occult force that swayed us, and indulged
in gloomy speculation. We had talked some time upon the proneness of the
human mind to mysticism, and the almost universal love of the terrible,
when Hammond suddenly said to me. "What do you consider to be the
greatest element of terror?"

The question puzzled me. That many things were terrible, I knew.
Stumbling over a corpse in the dark; beholding, as I once did, a woman
floating down a deep and rapid river, with wildly lifted arms, and
awful, upturned face, uttering, as she drifted, shrieks that rent one's
heart while we, spectators, stood frozen at a window which overhung the
river at a height of sixty feet, unable to make the slightest effort to
save her, but dumbly watching her last supreme agony and her
disappearance. A shattered wreck, with no life visible, encountered
floating listlessly on the ocean, is a terrible object, for it suggests
a huge terror, the proportions of which are veiled. But it now struck
me, for the first time, that there must be one great and ruling
embodiment of fear,--a King of Terrors, to which all others must
succumb. What might it be? To what train of circumstances would it owe
its existence?

"I confess, Hammond," I replied to my friend, "I never considered the
subject before. That there must be one Something more terrible than any
other thing, I feel. I cannot attempt, however, even the most vague
definition."

"I am somewhat like you, Harry," he answered. "I feel my capacity to
experience a terror greater than anything yet conceived by the human
mind;--something combining in fearful and unnatural amalgamation
hitherto supposed incompatible elements. The calling of the voices in
Brockden Brown's novel of _Wieland_ is awful; so is the picture of the
Dweller of the Threshold, in Bulwer's _Zanoni_; but," he added, shaking
his head gloomily, "there is something more horrible still than those."

"Look here, Hammond," I rejoined, "let us drop this kind of talk, for
Hea