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he perfume of sweet birch smoke. [Illustration: "A STRANGE SHYNESS SEEMED TO HOLD US APART".] I rose from my chair. Dorothy rose, too, trembling. A strange shyness seemed to hold us apart. She stood there, the forced smile stamped on her lips, watching me with the fascination of fear; and I steadied myself on the arm of my chair, looking deep into her eyes, seeking to recognize in her the child I had known. The child had gone, and in her place stood this lovely, silent stranger, with all the mystery of woman-hood in her eyes--that sweet light, exquisitely prophetic, divinely sad. "Dorothy," I said, under my breath. "All that is brave and adorable in you, I love and worship. You have risen so far above me--and I am so weak and--and broken, and unworthy--" "I love you," she faltered, her lips scarcely moving. Then the color surged over brow and throat; she laid her hands on her hot cheeks; I took her in my arms, holding her imprisoned. At my touch the color faded from her face, leaving it white as a flower. "I fear you--maid spiritual, maid militant--Maid-at-Arms!" I stammered. "And I fear you," she murmured, looking at me. "What lover does the whole world hold like you? What hero can compare with you? And who am I that I should take you away from the whole world? Sweetheart, I am afraid." "Then fear no more," I whispered, and bent my head. She raised her pale face; her arms crept up around my neck and tightened, clinging closer as her closing lips met mine. There came a tapping at the door, a shuffle of felt-shod feet-- "Mars' Gawge, suh, yo' hoss done saddle', suh." THE END End of the Project Gutenberg EBook of The Maid-At-Arms, by Robert W. Chambers *** END OF THIS PROJECT GUTENBERG EBOOK THE MAID-AT-ARMS *** ***** This file should be named 12279.txt or 12279.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/2/7/12279/ Produced by Charles Aldarondo, Charlie Kirschner and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of th
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