nt in the early morning down to the coast
over the level salt meadows, cut by bayous and intersected by canals,
they were curiously reminded both of the Venice lagoons and the plains of
the Teche; and the artist went into raptures over the colors of the
landscape, which he declared was Oriental in softness and blending.
Patriotic as we are, we still turn to foreign lands for our comparisons.

Long Branch and its adjuncts were planned for New York excursionists who
are content with the ocean and the salt air, and do not care much for the
picturesque. It can be described in a phrase: a straight line of sandy
coast with a high bank, parallel to it a driveway, and an endless row of
hotels and cottages. Knowing what the American seaside cottage and hotel
are, it is unnecessary to go to Long Branch to have an accurate picture
of it in the mind. Seen from the end of the pier, the coast appears to
be all built up--a thin, straggling city by the sea. The line of
buildings is continuous for two miles, from Long Branch to Elberon;
midway is the West End, where our tourists were advised to go as the best
post of observation, a medium point of respectability between the
excursion medley of one extremity and the cottage refinement of the
other, and equally convenient to the races, which attract crowds of
metropolitan betting men and betting women. The fine toilets of these
children of fortune are not less admired than their fashionable
race-course manners. The satirist who said that Atlantic City is typical
of Philadelphia, said also that Long Branch is typical of New York. What
Mr. King said was that the satirist was not acquainted with the good
society of either place.

All the summer resorts get somehow a certain character, but it is not
easy always to say how it is produced. The Long Branch region was the
resort of politicians, and of persons of some fortune who connect
politics with speculation. Society, which in America does not identify
itself with politics as it does in England, was not specially attracted
by the newspaper notoriety of the place, although, fashion to some extent
declared in favor of Elberon.

In the morning the artist went up to the pier at the bathing hour.
Thousands of men, women, and children were tossing about in the lively
surf promiscuously, revealing to the spectators such forms as Nature had
given them, with a modest confidence in her handiwork. It seemed to the
artist, who was a student of the huma