in
dresses that would have caused their arrest in the street, sentimentally
reclining on a canvas rock. Again it was a maiden with flowing hair,
raised hands clasped, eyes upturned, on top of a crag, at the base of
which the waves were breaking in foam. Or it was the same stalwart
maiden, or another as good, in a boat which stood on end, pulling through
the surf with one oar, and dragging a drowning man (in a bathing suit
also) into the boat with her free hand. The legend was, "Saved." There
never was such heroism exhibited by young women before, with such
raiment, as was shown in these rare works of art.

As they walked back to the hotel through a sandy avenue lined with
jig-saw architecture, Miss Benson pointed out to them some things that
she said had touched her a good deal. In the patches of sand before each
house there was generally an oblong little mound set about with a rim of
stones, or, when something more artistic could be afforded, with shells.
On each of these little graves was a flower, a sickly geranium, or a
humble marigold, or some other floral token of affection.

Mr. Forbes said he never was at a watering-place before where they buried
the summer boarders in the front yard. Mrs. Benson didn't like joking on
such subjects, and Mr. King turned the direction of the conversation by
remarking that these seeming trifles were really of much account in these
days, and he took from his pocket a copy of the city newspaper, 'The
Summer Sea-Song,' and read some of the leading items: "S., our eye is on
you." "The Slopers have come to their cottage on Q Street, and come to
stay." "Mr. E. P. Borum has painted his front steps." "Mr.
Diffendorfer's marigold is on the blow." And so on, and so on. This was
probably the marigold mentioned that they were looking at.

The most vivid impression, however, made upon the visitor in this walk
was that of paint. It seemed unreal that there could be so much paint in
the world and so many swearing colors. But it ceased to be a dream, and
they were taken back into the hard, practical world, when, as they turned
the corner, Irene pointed out her favorite sign:

Silas Lapham, mineral paint.
Branch Office.

The artist said, a couple of days after this morning, that he had enough
of it. "Of course," he added, "it is a great pleasure to me to sit and
talk with Mrs. Benson, while you and that pretty girl walk up and down
the piazza all the evening; but I'm ea