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affection more touching--never a more graceful homage rendered to past happiness! Now, when can you set out?" "To-morrow." "Why not to-day? Time is every thing here." "Remember, monsieur, that we have purchases to make--we visit the capital but rarely." "Quite true; I was forgetting the solitude of your retreat. Such charms might make any lapse of memory excusable." "Oh, monsieur! I should be, indeed, touched by this flattery, if I could but see the face of him who uttered it." "Pardon me, fair Countess, if I do not respond to even the least of your wishes; we shall both appear in our true colours one of these days. Meanwhile, remember our proverb that says, 'It's not the cowl makes the monk.' When you shall hear this again, it will be in your chateau of Vaugirarde, and----" "Is that the _consigne_, then?" said she, laughing. "Yes, that is the _consigne_,--don't forget it;" and, with a graceful salutation, the Marechal withdrew to perfect his further arrangements. There was a listener to this scene, that none of its actors ever guessed at--the poor actor, who, having lost his way among forests of pasteboard and palaces of painted canvass, at last found himself at the back of a pavilion, from which the speakers were not more than two paces distant. Scarcely had the Marechal departed, than he followed his steps, and made all haste to an obscure _auberge_ outside the barriers, where a companion, poor and friendless as himself, awaited him. There is no need to trace what ensued at this meeting. The farce-writer might, indeed, make it effective enough, ending as it does in the resolve, that since an engagement was denied them at Paris, they'd try their fortune at Fontainebleau, by personating the two strangers, who were to arrive by a hazard at the Chateau de Vaugirarde. The whole plot is now seen. They set out, and in due time arrive at the chateau. Their wardrobe and appearance generally are the very reverse of what the fair Countess expected, but as their stage experiences supply a certain resemblance to rank and distinction--at least to her notions of such--she never doubts that they are the promised visitors, and is convinced by the significant declaration, that if their wayworn looks and strange costume seem little indicative of their actual position, yet the Countess should remember, "It is not the cowl makes the monk." The constraint with which each assumes a new character forms the second er
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