shing. The four-and-twenty steps
to the first floor were four-and-twenty agonies.

On that first story, the doors stood ajar, three of them like three
ambushes, shaking his nerves like the throats of cannon. He could never
again, he felt, be sufficiently immured and fortified from men's
observing eyes; he longed to be home, girt in by walls, buried among
bed-clothes, and invisible to all but God. And at that thought he
wondered a little, recollecting tales of other murderers and the fear
they were said to entertain of heavenly avengers. It was not so, at
least, with him. He feared the laws of nature, lest, in their callous
and immutable procedure, they should preserve some damning evidence of
his crime. He feared tenfold more, with a slavish, superstitious
terror, some scission in the continuity of man's experience, some wilful
illegality of nature. He played a game of skill, depending on the rules,
calculating consequence from cause; and what if nature, as the defeated
tyrant overthrew the chess-board, should break the mould of their
succession? The like had befallen Napoleon (so writers said) when the
winter changed the time of its appearance. The like might befall
Markheim: the solid walls might become transparent and reveal his doings
like those of bees in a glass hive; the stout planks might yield under
his foot like quicksands and detain him in their clutch; ay, and there
were soberer accidents that might destroy him: if, for instance, the
house should fall and imprison him beside the body of his victim; or the
house next door should fly on fire, and the firemen invade him from all
sides. These things he feared; and, in a sense, these things might be
called the hands of God reached forth against sin. But about God Himself
he was at ease: his act was doubtless exceptional, but so were his
excuses, which God knew; it was there, and not among men, that he felt
sure of justice.

When he had got safe into the drawing-room, and shut the door behind
him, he was aware of a respite from alarms. The room was quite
dismantled, uncarpeted besides, and strewn with packing-cases and
incongruous furniture; several great pier-glasses, in which he beheld
himself at various angles, like an actor on a stage; many pictures,
framed and unframed, standing with their faces to the wall; a fine
Sheraton sideboard, a cabinet of marquetry, and a great old bed, with
tapestry hangings. The windows opened to the floor; but by great good
fort