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left hand he holdeth a golden crozier, and in his right hand he useth a pair of goldsmith's tongs. Beneath these steps of ascension to his chair, in opposition to St. Dunstan, is properly painted a goldsmith's forge and furnace, with fire and gold in it, a workman blowing with the bellows. On his right and left hand, there is a large press of gold and silver plate, representing a shop of trade; and further in front, are several artificers at work on anvils with hammers, beating out plate fit for the forgery and formation of several vessels in gold and silver. There are likewise in the shop several wedges or ingots of gold and silver, and a step below St. Dunstan sitteth an assay-master, with his glass frame and balance, for trial of gold and silver, according to the standard. In another place there is also disgrossing, drawing, and flatting of gold and silver wire. There are also finers melting, smelting, fining, and parting gold and silver, both by fire and water; and in a march before this orfery, are divers miners in canvas breeches, red waistcoats, and red caps, bearing spades, pickaxes, twibills, and crows, for to sink shafts, and make adits. The Devil, also, appearing to St. Dunstan, is catched by the nose at a proper _qu_, which is given in his speech. When the speech is spoken, the great anvil is set forth, with a silversmith holding on it a plate of massive silver, and three other workmen at work, keeping excellent time in their orderly strokes upon the anvil." The Goldsmiths in the Middle Ages seem to have been fond of dress. In a great procession of the London crafts to meet Richard II.'s fair young queen, Anne of Bohemia, all the mysteries of the City wore red and black liveries. The Goldsmiths had on the red of their dresses bars of silver-work and silver trefoils, and each of the seven score Goldsmiths, on the black part, wore fine knots of gold and silk, and on their worshipful heads red hats, powdered with silver trefoils. In Edward IV.'s reign, the Company's taste changed. The Liverymen wore violet and scarlet gowns like the Goldsmiths' sworn friends, the Fishmongers; while, under Henry VII., they wore violet gowns and black hoods. In Henry VIII.'s reign the hoods of the mutable Company went back again to violet and scarlet. In 1456 (Henry VI.) the London citizens seem to have been rather severe with their apprentices; for we find William Hede, a goldsmith, accusing his apprentice of beating his mist
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