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, of course, thoroughly dried out when tied in the bags). The natural moisture of the bulbs seems, by some kind of paper protection as mentioned above, to be conserved, while full and continued exposure to dry air seems to provoke scab as well as hardening of the outer skin of the bulbs. It requires a good sized bulb of America to throw a first class spike and second size bulbs produce, when forced, a considerably smaller spike than the first size bulbs. The America requires a longer growing season than most other gladioli and continues its growth well up to severe frosts. Growers who wish to harvest the largest possible number of first size bulbs allow these to grow as late as possible, and then leave the plants on their sides for 36 or 48 hours, during which time the sap from the stalks seems to go into the bulbs, making them more firm and putting them into better keeping condition for the winter. This latter suggestion probably applies to all gladioli and not alone to America, as it is practiced by a good many of the best growers. Growers differ a good deal as to the depth of the planting and width of rows. One very successful Ohio grower plants his bulblets and small bulbs fully six inches deep and in rows only two feet apart, pressing the dirt down very firmly over the bulbs. Such deep planting, he claims, secures cooler soil for the working roots and insures a better crop in case of dry weather. The same grower in planting hard shelled bulblets sows one pint to about three feet of row, making them very thick in the row, as he believes that the hard shelled bulblets, in germinating so close together, cause the hard shells of most of them to rot. There is convenience also in digging the crop which may be lifted in a mass. They also grow up so closely together in the row that they seem to choke out the weeds, thus saving hand labor. ***END OF THE PROJECT GUTENBERG EBOOK THE GLADIOLUS*** ******* This file should be named 31237.txt or 31237.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/1/2/3/31237 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. S
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