FREE BOOKS

Author's List




PREV.   NEXT  
|<   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>  
ery well equipped. The more irregular the clouding, the better the results. The yarn may be made into large double knots, or small single ones, or into more or less tightly wound balls or bundles, and each will have its own special and peculiar effect. Perhaps it is well to say that in clouding upon white the colours should be kept as light as is consistent with the tenacity of tint. After clouding, still another process in cotton mixtures is possible, and this is in "doubling and twisting," which has the effect of darkening or lightening any tint at will, as well as of giving a mottled instead of a plain surface. Having secured variety by these various expedients, the next step is to make harmonious and well-balanced combinations, and this is quite as important, or even more so, as mere variety. There is one very simple and useful rule in colour arrangements, and this is to make one tint largely predominant. If it is to be a blue rug, or a pink, or a white one, use other colours only to _emphasize_ the predominant one, as, for instance, a blue rug may be emphasized by a border of red and black; or a red rug by a border of black and white, or black and yellow. The border should always be stronger--that is darker or deeper in colour--than the centre, even when the same colour is used throughout, as in a light red rug, with dark, almost claret-red ends, or a medium blue rug with very dark blue ends. White, however, can often be used in borders of rather dark rugs in alternation with black or any dark colour, because its total absence of tint makes it strong and distinct, and gives it _force_ in marking a limit. One successful combination of colours will suggest others, and the weaver who has taken pains to provide herself with a variety of shades, and will follow the rules of proportion, will be at no loss in laying out the plan of her weavings. The examples for fifteen weavings given in the paper on wool rugs are equally available in cotton. I will, however, add a few variations especially adapted for cotton rugs: No. 1. _Colours blue and white._ Border six inches of plain dark blue. Six inches of alternate half-inch stripes of dark blue and white. Four to five feet of clouded blue, border repeated, with four inches of warp fringe as a finish. No. 2. _Colours blue and white._ Border eight inches wide of plain medium blue. Centre, six feet of light blue, clouded with medium. Two side borders eight
PREV.   NEXT  
|<   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   >>  



Top keywords:

colour

 

inches

 

border

 
colours
 

cotton

 

variety

 

medium

 
clouding
 

borders

 

predominant


weavings

 

clouded

 
effect
 

Border

 

Colours

 
repeated
 

distinct

 

strong

 

suggest

 

combination


successful
 

marking

 
fringe
 

Centre

 

alternation

 

absence

 

finish

 

examples

 
fifteen
 

claret


equally
 

adapted

 

variations

 

shades

 
follow
 

provide

 

stripes

 

proportion

 
alternate
 

laying


weaver

 

consistent

 

tenacity

 

Perhaps

 
equipped
 

process

 

darkening

 

lightening

 
giving
 

twisting