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mmerce. He dreamed of silks and poplins, luscious in texture and of unforeseen exquisiteness: he dreamed of carriages of the "County" arrested before his windows, of exquisite women ruffling charmed, entranced to his counter. And charming, entrancing, he served them his lovely fabrics, which only he and they could sufficiently appreciate. His fame spread, until Alexandra, Princess of Wales, and Elizabeth, Empress of Austria, the two best-dressed women in Europe, floated down from heaven to the shop in Woodhouse, and sallied forth to show what could be done by purchasing from James Houghton. We cannot say why James Houghton failed to become the Liberty or the Snelgrove of his day. Perhaps he had too much imagination. Be that as it may, in those early days when he brought his wife to her new home, his window on the Manchester side was a foam and a may-blossom of muslins and prints, his window on the London side was an autumn evening of silks and rich fabrics. What wife could fail to be dazzled! But she, poor darling, from her stone hall in stony Derbyshire, was a little bit repulsed by the man's dancing in front of his stock, like David before the ark. The home to which he brought her was a monument. In the great bedroom over the shop he had his furniture _built_: built of solid mahogany: oh too, too solid. No doubt he hopped or skipped himself with satisfaction into the monstrous matrimonial bed: it could only be mounted by means of a stool and chair. But the poor, secluded little woman, older than he, must have climbed up with a heavy heart, to lie and face the gloomy Bastille of mahogany, the great cupboard opposite, or to turn wearily sideways to the great cheval mirror, which performed a perpetual and hideous bow before her grace. Such furniture! It could never be removed from the room. The little child was born in the second year. And then James Houghton decamped to a small, half-furnished bedroom at the other end of the house, where he slept on a rough board and played the anchorite for the rest of his days. His wife was left alone with her baby and the built-in furniture. She developed heart disease, as a result of nervous repressions. But like a butterfly James fluttered over his fabrics. He was a tyrant to his shop-girls. No French marquis in a Dickens' novel could have been more elegant and _raffine_ and heartless. The girls detested him. And yet, his curious refinement and enthusiasm bore them away. T
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