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return to her; with a little laugh at her own image (on which she builds her hopes), she defies fate, and, running down the staircase with winged feet, finds herself on the last step, almost in Philip's arms. "Abroad so early!" he says, with a smile; and the kindliness of his tone, the more than kindness of his glance, confirm her hopes of the morning. She is looking very pretty, and Philip likes pretty women, hence the kindly smile. And yet, though he might have done so without rebuke (perhaps because of that), he forgot to kiss her. "You are the early bird, and you have caught me," he says. "I can only hope you will not make your breakfast off me. See,"--holding out to her an unclosed letter,--"the deed is done. I have written to my solicitor to get me the money from Lazarus and Harty." "Oh, Philip! I have been thinking," she says, following him into the library, "and now it seems to me a risk. You know his horror of Jews,--you know how he speaks of your own father and his unfortunate dealings with them. Yesterday I felt brave, and advised you, as I fear, wrongly; to-day----" "I have been thinking it over too,"--lighting the taper on the table, and applying the sealing-wax to the flame,--"and now it seems to me the only course left open. And yet"--speaking gayly, but pausing as the wax falls upon the envelope--"perhaps--who knows?--I may be sealing my own fate." "You make me superstitious. Why imagine horrors? Yet if you have any doubts, Philip,"--laying one shapely white finger upon the letter,--"do not send it. Something tells me to warn you. And, besides, are you quite sure they will lend you the money?" "They will hardly refuse a paltry two thousand to the heir of Herst Royal." "But you are not the heir." "In the eyes of the world I am." "And yet they know it can be left to any one else." "To you, for instance." "That would hardly alter your position, except that you would be then, not heir, but master," she says, smiling sweetly at him. "No, I was supposing myself also disinherited. This cousin that is coming,--Eleanor Massereene,--she, too, is his grandchild." As a rule, when speaking of those we hate, quite as much as when speaking of those we love, we use the pronoun alone. Mr. Amherst is "he" always to his relatives. "What! Can you believe it possible a little uneducated country girl, with probably a snub nose, thick boots, and no manners to speak of, can cut you out? Marcia, you
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