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ol clubs by the nine juniors, as the profits for the term on the business of the School shop. Which of these two events produced the more terrific cheers the reader must take upon himself to decide. An hour later, Messrs. Wally, D'Arcy, Ashby, Fisher minor, Percy, Cottle, Lickford, Ramshaw, and Cash, limited, walked arm in arm across the Green, after a farewell call on Mrs Stratton, on their way to the School omnibus, which waited at the Watch-Tower. Their progress was temporarily interrupted by the sudden bolt of Fisher minor in pursuit of a lank, cadaverous figure, wearing the Modern colours, who was strolling innocently off in the direction of Mr Forder's house. "The young un's got 'em again," said Wally. "Here, come back, young Fisher minor, can't you? We shan't wait." Fisher minor pulled up. He looked wistfully first at the retreating figure in the distance, then at his eight friends. With a sigh he decided on the latter; and for that term, at least, finally abandoned the quest of his unlucky half-crown. It took some little time to arrange matters on the omnibus, as one or two innocent middle-boys had had the audacity to occupy the box-seat and the row behind, and had to be cajoled or pulled down. How could any one dare, when those two seats just held nine, to imagine that they were not sacred property? "That's better," said Wally, when at last the party were safely up, with two rugs over their eighteen knees, and a gross of brandy-balls circulating for the common comfort. "Touch 'em up, driver. Give 'em their heads! I tell you what, you chaps, this has been rather a slow half. I vote we have some larks next term." "Rather!" chimed in the chorus. THE END. End of Project Gutenberg's The Cock-House at Fellsgarth, by Talbot Baines Reed *** END OF THIS PROJECT GUTENBERG EBOOK THE COCK-HOUSE AT FELLSGARTH *** ***** This file should be named 21037.txt or 21037.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/0/3/21037/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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