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horses. In the evening there was great excitement at the opera. It was solemnly announced to the public that Mademoiselle de Camargo had been carried off! The Count de Melun surprised at not finding us in the woods, had gone to the theatre. He was hissed; he swore revenge. He sought every where; he found neither his horses, nor his carriage, nor his mistress. For three months the opera was in mourning! Thirty bailiffs were on my track; but we made so little noise in our little chateau, hid away in the woods, that we were never discovered." Mademoiselle de Camargo became pale; she was silent, and looked at her listeners as if she would say by her looks that had been lighted up at that celestial flame which had passed over her life: "Oh, how we loved each other during those three months!" She continued as follows: "That season has filled a greater space in my life than all the rest of my days. When I think of the past, it is there where my thoughts travel at once. How relate to you the particulars of our happiness? When destiny protects us, happiness is composed of a thousand charming nothings that the hearts of others cannot understand. During those three months I was entirely happy; I wished to live for ever in this charming retreat for him that I loved a thousand times more than myself. I wished to abandon the opera, that opera that the Count de Melun could not make me forget for a week! "Monsieur de Marteille possessed all the attraction of a real passion; he loved me with a charming simplicity; he put in play, without designing it, all the seductions of love. What tender words! what impassioned looks! what enticing conversation! Each day was a holyday, each hour a rapture. I had no time to think of the morrow. "Our days were spent in walks, in the shade of the woods, in the thousand windings of the park. In the evening I played the harpsichord, and I sang. It often occurred that I danced, danced for him. In the middle of a dance that would have excited a furor at the opera, I fell at his feet, completely overcome; he raised me up, pressed me to his heart and forgave me for having danced. I always hear his beautiful voice, which was like music, but such music as I dream of, and not such as Rameau has composed... But now I am speaking without knowing what I say." Mademoiselle de Camargo turned toward Pont-de-Veyle. "Monsieur," said she, "open that box or rather hand it to me." She took the box, opened it, and
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