the advice of
good judges is unasked, or the work itself uncorrected and negligent. To
neither of these charges is the author liable. These poems, as well as
the design of publishing them, have been approved of by many sincere and
judicious friends; and the work has been altered in many parts, in
conformity to the advice of the same persons. The author has made no
improper sacrifice to the Muse: he has deserted no duty, and neglected
no necessary employment. Influenced by these motives, he appears before
the bar of criticism, not indeed without diffidence, but unconscious of
having deserved censure. If his verses are bad, he is content to sink
into oblivion; and if the public confirms the favourable judgment of his
friends, he does not deny that it will give him real satisfaction.--He
is sensible, that if he delayed till time had matured his judgment, and
reflection perfected his ideas, the "_scribendi cacoethes_," perhaps an
unfortunate inclination, would take a firm and unalterable possession
of his mind. He is therefore determined to try the public opinion; that
he may be enabled either to pursue his poetical studies under their
encouragement, or to desist in time from an useless employment. This
volume is not intended to challenge approbation, but to be the precursor
of something which may challenge it in future: it is not an attempt to
gain the prize, but a specimen of his powers, which may entitle him to
the honour of standing candidate for that prize. The reader will here
find the genuine effusions of a youthful fancy, free, yet not
uncontrolled; a collection of pieces, exempt from negligence and
inaccuracy, though not from the usual and inevitable faults of early
compositions. To offer less than this would be arrogant, and to require
more than this would be unreasonable.

"Gustavus Vasa" was originally planned (the reader will smile) at eleven
years of age. When the author began to know what poetry was, his first
design was to write an epic poem--no matter of what sort or character,
so it was an epic poem. The subject was soon chosen; and the progress of
the work was various: sometimes hurried on with all the ardour of hope
and enterprize, sometimes relinquished for more lively pursuits, and
left to sleep for months in the leaves of a portfolio. In this manner
were six long cantos completed. At length the author, in his thirteenth
year, perceived numerous faults and extravagances in his early
composition. He de