y, without
the gift of distinction or the glamour of royalty, suffices to charm
a great painter's eye and inspire his thought. With the sweetness and
grace of modern childhood filling our eyes, may we not well close this
children's book?

INDEX

'Adoration of the Lamb,' 56-59

Adoration of the Magi, treatment of, 33

'Age of Innocence,' 171

_Alice in Wonderland_, 2

'All-pervading,' the, 196

Animals, painting of, 142

Antonello of Messina, 67-69

Art, definition of, 4

Atmosphere, 10
treatment of by Dutch School, 139, 140
by Holbein, 139
by Velasquez, 156

Beauneveu, Andre, of Valenciennes, 43

Bellini, Giovanni, 98, 102

Black Death, influence of, 41

Botticelli, 70-77, 145
influence of, on Burne-Jones, 191

Brett's 'Val d'Aosta,' 192 _et seq._

Burne-Jones, 190 _et seq._

Byzantium, influence of, 19
Turkish conquest of, 20

'Chaos,' 196

Charles I. employs Rubens, 143
employs Van Dyck, 147
painted by Velasquez, 157

Charles II., 131

Charles V., King of France, 40

Charles V., Emperor, 153

Chillon, Castle of, 11

Churches, medieval grandeur of, 14

Cimabue, Vasari's account of, 24
picture in National Gallery, 25
picture in Santa Maria Novella, 25
training of Giotto, 27

Civilization, definition of, 9

Claude Lorraine, 181-183

Constable, 180

Correggio, 91

Crome, Old, 178

Cuyp, 138-142, 180

'Dido building Carthage,' 182

Don Balthazar Carlos, 154 _et seq._, 160 _et seq._

Douglas, Lady Alfred, 75

Dragons, fear of, 12

Duke of Gloucester, 170-171

Durer, 106-107
compared with Holbein, 113

Dutch expansion in the seventeenth century, 117

'Dweller in the Innermost,' 196

Edward the Confessor, story of, 32

Edward Prince of Wales, 111-115

Eighteenth century, artificiality of, 168

Erasmus, 109-110
portrait of, 114

Etching, process of, 127

Fighting _Temeraire_, 176 _et seq._

Francis of Assisi, life of, 17, 21

Franciscans, foundation of the order of, 22

'Fresco' painting, 39

Gainsborough, 173 _et seq._

Garden of Eden, 95

Giorgione, 94-98, 140

Giotto, 27, 28, 35, 50

'Golden Age,' 95-98, 142

Goldsmith, 174

Greeks, influence of, 10, 65

Henrietta Maria, 149

Henry VIII., 109 _et seq._
employs Holbein, 110
portrait of, 114

Hobbema, 141, 178

Hogarth, 166 _et seq._

Holbein, 102-115, 139, 151
'Erasmus' in collection of Charles I., 147

Holman Hunt, 190,