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The Project Gutenberg EBook of The Lady of Lyons, by Edward Bulwer Lytton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Lady of Lyons or Love and Pride Author: Edward Bulwer Lytton Posting Date: December 23, 2008 [EBook #2461] Release Date: January, 2001 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE LADY OF LYONS *** Produced by Dianne Bean, and David Ceponis THE LADY OF LYONS or, LOVE AND PRIDE By Edward Bulwer Lytton To the author of "Ion." Whose genius and example have alike contributed towards the regeneration of The National Drama, This play is inscribed. PREFACE. An indistinct recollection of the very pretty little tale, called "The Bellows-Mender," suggested the plot of this Drama. The incidents are, however, greatly altered from those in the tale, and the characters entirely re-cast. Having long had a wish to illustrate certain periods of the French history, so, in the selection of the date in which the scenes of this play are laid, I saw that the era of the Republic was that in which the incidents were rendered most probable, in which the probationary career of the hero could well be made sufficiently rapid for dramatic effect, and in which the character of the time itself was depicted by the agencies necessary to the conduct of the narrative. For during the early years of the first and most brilliant successes of the French Republic, in the general ferment of society, and the brief equalization of ranks, Claude's high-placed love; his ardent feelings, his unsettled principles (the struggle between which makes the passion of this drama), his ambition, and his career, were phenomena that characterized the age, and in which the spirit of the nation went along with the extravagance of the individual. The play itself was composed with a twofold object. In the first place, sympathizing with the enterprise of Mr. Macready, as Manager of Covent Garden, and believing that many of the higher interests of the Drama were involved in the success or failure of an enterprise equally hazardous and disinterested, I felt, if I may so presume to express myself, something of
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