ne very earnest caution
and beseeching entreaty, especially to the younger members of my
congregation now. You, young men and women, especially you young men,
mind what you paint upon those mystic walls! Foul things, as my text
says, 'creeping things and abominable beasts,' only too many of you are
tracing there. Take care, for these figures are ineffaceable. No
repentance will obliterate them. I do not know whether even Heaven can
blot them out. What you love, what you desire, what you think about, you
are photographing on the walls of your immortal soul. And just as
to-day, thousands of years after the artists have been gathered to the
dust, we may go into Egyptian temples and see the figures on their
walls, in all the freshness of their first colouring, as if the painter
had but laid down his pencil a moment ago; so, on your hearts, youthful
evils, the sins of your boyhood, the pruriences of your earliest days,
may live in ugly shapes, that no tears and no repentance will ever wipe
out. Nothing can do away with 'the marks of that which once hath been.'
What are you painting on the chambers of imagery in your hearts?
Obscenity, foul things, mean things, low things? Is that mystic shrine
within you painted with such figures as were laid bare in some chambers
in Pompeii, where the excavators had to cover up the pictures because
they were so foul? Or, is it like the cells in the convent of San Marco
at Florence, where Fra Angelico's holy and sweet genius has left on the
bare walls, to be looked at, as he fancied, only by one devout brother
in each cell, angel imaginings, and noble, pure celestial faces that
calm and hallow those who gaze upon them? What are you doing, my
brother, in the dark, in your chambers of imagery?

II. Now look with me briefly at the second thought that I draw from this
symbol,--the idolatries of the dark chamber.

All these seventy grey-bearded elders that were bowing there before the
bestial gods which they had portrayed, had, no doubt, often stood in the
courts of the Temple and there made prayers to the God of Israel, with
broad phylacteries, to be seen of men. Their true worship was their
worship in the dark. The other was conscious or unconscious hypocrisy.
And the very chamber in which they were gathered, according to the ideal
representation of our text, was a chamber in, and therefore partaking of
the consecration of, the Temple. So their worship was doubly criminal,
in that it was sacri