FREE BOOKS

Author's List




PREV.   NEXT  
|<   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167  
168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   >>   >|  
o employ,_ or _a corpse, a market, a lion, to wait on, to rely upon, time, poetry, to bestow, to proclaim, a stone, a generation, to eat, a house,_ and all such things as that;--I mention a few out of the list by way of example.* Now of course, were that all to be said about it, Chinamen would no doubt sometimes get confused: would think you meant a corpse, when you were really talking about poetry, and so on. But there is a way of throwing a little breathing in, a kind of hiatus: thus _Ts'in_ meant one country, and _Tsin_ another one altogether; and you ought not to mix them, for they were generally at war, and did not mix at all well. That would potentially extend the number of sounds, or words, or billiard-balls, from the four hundred and twenty in modern polite Pekinese, or the twelve hundred or so in the older and less cultured Cantonese, to twice as many in each case. Still that would be but a poor vocabulary for the language with the vastest literature in the world, as I suppose the Chinese is. Then you come to the four tones, as a further means of extending it. You pronounce _shih_ one tone--you sing it on the right note, so to say, and it means _poetry;_ you take that tone away, and give it another, the dead tone, and very naturally it becomes _a corpse:_--as, one way, and another I have often tried to impress on you it really does.--Of course the hieroglyphs, the written words, run into hundreds of thousands; for the literature, you have a vocabulary indeed. But you see that the spoken language depends, to express its meaning, upon a different kind of elements from those all our languages depend on. We have solid words that you can spell: articles built up with the bricks of sound-stuff we call letters: _c-a-t_ cat, _d-o-g_ dog, and so on;--but their words, no; nothing so tangible: all depends on little silences, small hiatuses in the vocalizition,--and above all, _musical tones._ Now then, which is the more primitive? Which is nearer the material or intellectual, and which, the spiritual, pole? ------- * _Encyclopaedia Britannica:_ article, China: Language. ------- More primitive--I do not know. Only I think when the Stars of Morning sang together, and all the sons of God shouted for joy; when primeval humanity first felt stirring within it the Divine fire and essence of the Lords of Mind; when the Sons of the Fire mist came down, and found habitation for themselves in the bodies of our ancesto
PREV.   NEXT  
|<   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167  
168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   >>   >|  



Top keywords:

poetry

 

corpse

 

vocabulary

 
literature
 
language
 

primitive

 

hundred

 
depends
 

silences

 

letters


tangible

 

express

 

meaning

 
elements
 

spoken

 

hundreds

 

thousands

 
languages
 

bricks

 
articles

depend

 
article
 

stirring

 

Divine

 
humanity
 

shouted

 

primeval

 

essence

 

habitation

 

bodies


ancesto

 

material

 

nearer

 

intellectual

 
spiritual
 

vocalizition

 
musical
 
Encyclopaedia
 
Britannica
 

Morning


written

 

Language

 

hiatuses

 
breathing
 

hiatus

 

throwing

 

confused

 
talking
 

country

 
potentially