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he came back to the sitting-room door. "If it should be like--like Jack Berrington," she said, from the threshold, with a kind of concentrated quiet in her manner, "then--what you suggested--would be more out of the question than ever." "I don't see that," he returned, adopting her own tone. "I should think it would be just the other way." She shook her head. "There are a lot of points of view that you haven't seen yet," he persisted. "I could put some of them before you if you'd give me time." "It would be no use doing that. I should never believe anything but that we, my father and I, should bear the responsibilities of our own acts." "You'll think differently," he began, "when you've looked at the thing all round; and then--" But before he could complete his sentence she had gone. * * * * * Having seen her go up-stairs, he waited in some uncertainty. When fifteen or twenty minutes had gone by and she did not return, he decided to wait no longer. Picking up his hat and stick from the chair on which he had laid them, he went out by the French window, making his way to the gate across the lawn. VIII Finding the door of her father's room ajar, Miss Guion pushed it open and went in. Wearing a richly quilted dressing-gown, with cuffs and rolled collar of lavender silk, he lay asleep in the chaise-longue, a tan-colored rug across his feet. On a table at his left stood a silver box containing cigars, a silver ash-tray, a silver match-box, and a small silver lamp burning with a tiny flame. Each piece was engraved with his initials and a coat-of-arms. On his right there was an adjustable reading-stand, holding an open copy of a recent English review. One hand, adorned with an elaborately emblazoned seal-ring, hung heavily toward the floor; a cigar that had gone out was still between the fingers. His head, resting on a cushion of violet brocade, had fallen slightly to one side. She sat down beside him, to wait till he woke up. It was a large room, with white doors and wainscoting. Above the woodwork it was papered in pale yellow. On the walls there were water-colors, prints, photographs, and painted porcelain plaques. Over the bed, for decorative rather than devotional purposes, hung an old French ivory crucifix, while lower down was a silver holy-water stoup of Venetian make, that was oftenest used for matches. It had been the late Mrs. Guion's room, and expre
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