FREE BOOKS

Author's List




PREV.   NEXT  
|<   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109  
110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   >>   >|  
own generation, yet most assuredly in the time to come--whose natural hesitation or fastidiousness has prompted him to weigh his words maturely, before launching them forth into the great ocean of literature, in the midst of which is a Maelstrom of tenfold absorbing power! From the minor poems, therefore, of Goethe, we propose, in the present series, to select such as are most esteemed by competent judges, including, of course, ourselves. We shall not follow the example of dear old Eckermann, nor preface our specimens by any critical remarks upon the scope and tendency of the great German's genius; neither shall we divide his works, as characteristic of his intellectual progress, into eras or into epochs; still less shall we attempt to institute a regular comparison between his merits and those of Schiller, whose finest productions (most worthily translated) have already enriched the pages of this Magazine. We are doubtless ready at all times to back our favourite against the field, and to maintain his intellectual superiority even against his greatest and most formidable rival. We know that he is the showiest, and we feel convinced that he is the better horse of the two; but talking is worse than useless when the course is cleared, and the start about to commence. Come forward, then, before the British public, O many-sided, ambidextrous Goethe, as thine own Thomas Carlyle might, or could, or would, or should have termed thee, and let us hear how the mellifluous Teutonic verse will sound when adapted to another tongue. And, first of all--for we yearn to know it--tell us how thy inspiration came? A plain answer, of course, we cannot expect--that were impossible from a German; but such explanation as we can draw from metaphor and oracular response, seems to be conveyed in that favourite and elaborate preface to the poems, which accordingly we may term the INTRODUCTION. The morning came. Its footsteps scared away The gentle sleep that hover'd lightly o'er me; I left my quiet cot to greet the day And gaily climb'd the mountain-side before me. The sweet young flowers! how fresh were they and tender, Brimful with dew upon the sparkling lea; The young day open'd in exulting splendour, And all around seem'd glad to gladden me. And, as I mounted, o'er the meadow ground A white and filmy essence 'gan to hover; It sail'd and shifted till it hemm'd me round, Then rose above my
PREV.   NEXT  
|<   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109  
110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   >>   >|  



Top keywords:

preface

 

favourite

 

German

 
intellectual
 
Goethe
 

shifted

 

explanation

 

ground

 
inspiration
 

answer


impossible
 

expect

 

essence

 

tongue

 

termed

 

Thomas

 

Carlyle

 

adapted

 
meadow
 

mellifluous


Teutonic

 

metaphor

 

sparkling

 

ambidextrous

 

splendour

 

exulting

 

tender

 

flowers

 

mountain

 

Brimful


lightly

 

elaborate

 
conveyed
 

oracular

 

response

 

INTRODUCTION

 

mounted

 
gentle
 
scared
 

morning


footsteps

 
gladden
 

follow

 

including

 
judges
 
series
 

present

 

select

 

esteemed

 

competent