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mustn't say too much about your own impending doom either, because that will give things away too much to the audience." After several minutes of painful brain-searching, Cassandra smiled reassuringly. "I know. I'll predict a long and happy reign for George the Fifth." "My dear girl," protested Clovis, "have you reflected that Cassandra specialized in foretelling calamities?" There was another prolonged pause and another triumphant issue. "I know. I'll foretell a most disastrous season for the foxhounds." "On no account," entreated Clovis; "do remember that all Cassandra's predictions came true. The M.F.H. and the Hunt Secretary are both awfully superstitious, and they are both going to be present." Cassandra retreated hastily to her bedroom to bathe her eyes before appearing at tea. The Baroness and Clovis were by this time scarcely on speaking terms. Each sincerely wished their respective role to be the pivot round which the entire production should revolve, and each lost no opportunity for furthering the cause they had at heart. As fast as Clovis introduced some effective bit of business for the charioteer (and he introduced a great many), the Baroness would remorselessly cut it out, or more often dovetail it into her own part, while Clovis retaliated in a similar fashion whenever possible. The climax came when Clytemnestra annexed some highly complimentary lines, which were to have been addressed to the charioteer by a bevy of admiring Greek damsels, and put them into the mouth of her lover. Clovis stood by in apparent unconcern while the words: "Oh, lovely stripling, radiant as the dawn," were transposed into: "Oh, Clytemnestra, radiant as the dawn," but there was a dangerous glitter in his eye that might have given the Baroness warning. He had composed the verse himself, inspired and thoroughly carried away by his subject; he suffered, therefore, a double pang in beholding his tribute deflected from its destined object, and his words mutilated and twisted into what became an extravagant panegyric on the Baroness's personal charms. It was from this moment that he became gentle and assiduous in his private coaching of Cassandra. The County, forgetting its dissensions, mustered in full strength to witness the much-talked-of production. The protective Providence that looks after little children and amateur theatricals made good its traditional promise that everything should be right on t
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