and staff transformed to a
smart cocked beaver and a jemmy cane; his amice gray to the last Regent
Street cut; and his painful palmer's pace to the modern swagger! Stop
thy friend's sacrilegious hand. Nothing can be done for B. but to
reprint the old cuts in as homely but good a style as possible,--the
Vanity Fair and the Pilgrims there; the silly-soothness in his
setting-out countenance; the Christian idiocy (in a good sense) of his
admiration of the shepherds on the Delectable mountains; the lions so
truly allegorical, and remote from any similitude to Pidcock's; the
great head (the author's), capacious of dreams and similitudes, dreaming
in the dungeon. Perhaps you don't know my edition, what I had when
a child.

If you do, can you bear new designs from Martin, enamelled into copper
or silver plate by Heath, accompanied with verses from Mrs. Hemans's
pen? Oh, how unlike his own!

"Wouldst thou divert thyself from melancholy?
Wouldst thou be pleasant, yet be far from folly?
Wouldst thou read riddles and their explanation?
Or else be drowned in thy contemplation?
Dost thou love picking meat? or wouldst thou see
A man i' the clouds, and hear him speak to thee?
Wouldst thou be in a dream, and yet not sleep?
Or wouldst thou in a moment laugh and weep?
Or wouldst thou lose thyself, and catch no harm,
And find thyself again without a charm?
Wouldst read _thyself_, and read thou knowest not what,
And yet know whether thou art blest or not
By reading the same lines? Oh, then come hither,
And lay my book, thy head, and heart together."

Show me any such poetry in any one of the fifteen forthcoming
combinations of show and emptiness 'yclept "Annuals." So there's verses
for thy verses; and now let me tell you that the sight of your hand
gladdened me. I have been daily trying to write to you, but [have been]
paralyzed. You have spurred me on this tiny effort, and at intervals I
hope to hear from and talk to you. But my spirits have been in an
oppressed way for a long time, and they are things which must be to you
of faith, for who can explain depression? Yes, I am hooked into the
"Gem," but only for some lines written on a dead infant of the
editor's [2] which being, as it were, his property, I could not refuse
their appearing; but I hate the paper, the type, the gloss, the dandy
plates, the names of contributors poked up into your eyes in first page,
and whisked through all the covers of magaz