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mystical illumination regarding the unity and blessedness of the universe, an insight passing understanding, but based upon the revelatory experience of love. In the light of this experience, all created things are recognized as divine. The starting-point and center of the Whitman world is the individual man, the "strong person," imperturbable in mind, athletic in body, unconquerable, and immortal. Such individuals meet in comradeship, and pass together along the open roads of the world. No one is excluded because of his poverty or his sins; there is room in the ideal America for everybody except the doubter and sceptic. Whitman does not linger over the smaller groups of human society, like the family. He is not a fireside poet. He passes directly from his strong persons, meeting freely on the open road, to his conception of "these States." One of his typical visions of the breadth and depth and height of America will be found in "By Blue Ontario's Shore." In this and in many similar rhapsodies Whitman holds obstinately to what may be termed the three points of his national creed. The first is the newness of America, and its expression is in his well-known chant of "Pioneers, O Pioneers." Yet this new America is subtly related to the past; and in Whitman's later poems, such as "Passage to India," the spiritual kinship of orient and occident is emphasized. The second article of the creed is the unity of America. Here he voices the conceptions of Hamilton, Clay, Webster, and Lincoln. In spite of all diversity in external aspects the republic is "one and indivisible." This unity, in Whitman's view, was cemented forever by the issue of the Civil War. Lincoln, the "Captain," dies indeed on the deck of the "victor ship," but the ship comes into the harbor "with object won." Third and finally, Whitman insists upon the solidarity of America with all countries of the globe. Particularly in his yearning and thoughtful old age, the poet perceived that humanity has but one heart and that it should have but one will. No American poet has ever prophesied so directly and powerfully concerning the final issue involved in that World War which he did not live to see. Whitman, like Poe, had defects of character and defects of art. His life and work raise many problems which will long continue to fascinate and to baffle the critics. But after all of them have had their say, it will remain true that he was a seer and a prophet, far in adva
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