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nto thin channels. It was as though there were at hand a great reservoir of thought, of experience, of deep gropings into the very well-springs of life, which none of them dared to tap lest it should rush out and overwhelm them. They seemed in some strange awe of its presence, and spoke, when they spoke at all, of trivial things. Grant proved uncommunicative, and perhaps, in a sense, disappointing. He preferred to forget both the glories and the horrors of war; when he drew on his experience at all it was to relate some humorous incident. That, it seemed, was all he cared to remember. He was conscious of a restraint which hedged him about and hampered every mental deployment. Phyllis, too, must have been conscious of that restraint, for before they parted she said something about human minds being like pianos, which get out of tune for lack of the master-touch.... When Grant found himself in the street air again he was almost swallowed up in the rush of things which he might have said. His mental machinery, which seemed to have been out of mesh,--came back into adjustment with a jerk. He suddenly discovered that he could think; he could drive his mind from his own batteries. In soldiering the mind is driven from the batteries of the rank higher up. The business of discipline is to make man an automatic machine rather than a thinking individual. It seemed to Grant that in that moment the machine part of him gave way and the individual was restored. In his case the change came in a moment; he had been re-tuned; he was able to think logically in terms of civil life. He pieced together Murdoch's conversation. "Not as a jump," Murdoch had said, when he had argued that a man cannot emerge in a moment from the psychology of the trenches to that of the counting-house. Undoubtedly that would be true of the mass; they would experience no instantaneous readjustment.... There are moments when the mind, highly vitalized, reaches out into the universe of thought and grasps ideas far beyond its conscious intention. All great thoughts come from uncharted sources of inspiration, and it may be that the function of the mind is not to create thought, but only to record it. To do so it must be tuned to the proper key of receptivity. Grant had a consciousness, as he walked along the deserted streets toward his hotel, that he was in that key; the quietness, the domesticity of Murdoch's home, the loveliness of Phyllis Bruce, had, for the
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