o his virtuous actions by the way, and never applies
to them the name of virtues, how easily his evidence is accepted in the
court of public opinion!

*****

In one word, it must always be foul to tell what is false; and it can
never be safe to suppress what is true.

*****

Conclusions, indeed, are not often reached by talk any more than by
private thinking. That is not the profit. The profit is in the exercise,
and above all in the experience; for when we reason at large on any
subject, we review our state and history in life. From time to time,
however, and specially, I think, in talking art, talk becomes effective,
conquering like war, widening the boundaries of knowledge like an
exploration.

*****

Natural talk, like ploughing, should turn up a large surface of life,
rather than dig mines into geological strata. Masses of experience,
anecdote, incident, cross-lights, quotation, historical instances, the
whole flotsam and jetsam of two minds forced in and in upon the matter
in hand from every point of the compass, and from every degree of mental
elevation and abasement--these are the material with which talk is
fortified, the food on which the talkers thrive. Such argument as is
proper to the exercise should still be brief and seizing. Talk should
proceed by instances; by the apposite, not the expository. It should
keep close along the lines of humanity, near the bosoms and businesses
of men, at the level where history, fiction, and experience intersect
and illuminate each other.

*****

There can be no fairer ambition than to excel in talk; to be affable,
gay, ready, clear and welcome; to have a fact, a thought, or an
illustration, pat to every subject; and not only to cheer the flight of
time among our intimates, but bear our part in that great international
congress, always sitting, where public wrongs are first declared, public
errors first corrected, and the course of public opinion shaped, day by
day, a little nearer to the right. No measure comes before Parliament
but it has been long ago prepared by the grand jury of the talkers; no
book is written that has not been largely composed by their assistance.
Literature in many of its branches is no other than the shadow of
good talk; but the imitation falls far short of the original in life,
freedom, and effect. There are always two to a talk, giving and
taking, comparing experience and according conclusions. Talk is fluid,
tentative, continually 'in