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which he became the object. Mlle. de Lespinasse was forty. He was twenty-nine, had competed for the Academie Francaise, written a work on military science, also a national tragedy which was still unpublished. She was dazzled by his brilliancy, and when she fathomed his shallow nature, as she finally did, it was too late to disentangle her heart. He was a man of gallantry, and was flattered by the preference of a woman much in vogue, who had powerful friends, influence at the Academy, and the ability to advance his interest in many ways. He clearly condescended to be loved, but his own professions have little of the true ring. Distracted by this new passion on one side, and by remorse for her disloyalty to the old one, on the other, the health of Mlle. de Lespinasse, naturally delicate and already undermined, began to succumb to the hidden struggle. The death of M. de Mora solved one problem; the other remained. Mr. Guibert wished to advance his fortune by a brilliant marriage without losing the friend who might still be of service to him. She sat in judgment upon her own fate, counseled him, aided him in his choice, even praised the woman who became his wife, hoping still, perhaps, for some repose in that exaltation of friendship which is often the last consolation of passionate souls. But she was on a path that led to no haven of peace. There was only a blank wall before her, and the lightning impulses of her own heart were forced back to shatter her frail life. The world was ignorant of this fresh experience; and, believing her crushed by the death of M. de Mora, sympathized with her sorrow and praised her fidelity. She tried to sustain a double role--smiles and gaiety for her friends, tears and agony for the long hours of solitude. The tension was too much for her. She died shortly afterwards at the age of forty-three. "If to think, to love, and to suffer is that which constitutes life, she lived in these few years many ages," said one who knew her well. It was not until many years later, when those most interested were gone, that the letters to Guibert, which form her chief title to fame, were collected, and, curiously enough, by his widow. Then for the first time the true drama of her life was unveiled. It is impossible in a few extracts to convey an adequate idea of the passion and devotion that runs through these letters. They touch the entire gamut of emotion, from the tender melancholy of a lonely soul, the
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