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oman does or does not marry. It is certain that the love of her two children filled the heart of Mme. de Sevigne; her future life was devoted to their training, and to repairing a fortune upon which her husband's extravagance had made heavy inroads. But the fascinating widow of twenty-five had a dangerous path to tread. That she lived in a society so lax and corrupt, unprotected and surrounded by distinguished admirers, without a shadow of suspicion having fallen upon her fair reputation is a strong proof of her good judgment and her discretion. She was not a great beauty, though the flattering verses of her poet friends might lead one to think so. A complexion fresh and fair, eyes of remarkable brilliancy, an abundance of blond hair, a face mobile and animated, and a fine figure--these were her visible attractions. She danced well, sang well, talked well, and had abounding health. Mme. de La Fayette made a pen-portrait of her, which was thought to be strikingly true. It was in the form of a letter from an unknown man. A few extracts will serve to bring her more vividly before us. "Your mind so adorns and embellishes your person, that there is no one in the world so fascinating when you are animated by a conversation from which constraint is banished. All that you say has such a charm, and becomes you so well, that the words attract the Smiles and the Graces around you; the brilliancy of your intellect gives such luster to your complexion and your eyes, that although it seems that wit should touch only the ears, yours dazzles the sight. "Your soul is great and elevated. You are sensitive to glory and to ambition, and not less so to pleasures; you were born for them and they seem to have been made for you... In a word, joy is the true state of your soul, and grief is as contrary to it as possible. You are naturally tender and impassioned; there was never a heart so generous, so noble, so faithful... You are the most courteous and amiable person that ever lived, and the sweet, frank air which is seen in all your actions makes the simplest compliments of politeness seem from your lips protestations of friendship." Mlle. de Scudery sketches her as the Princesse Clarinte in "Clelie," concluding with these words: "I have never seen together so many attractions, so much gaiety, so much coquetry, so much light, so much innocence and virtue. No one ever understood better the art of having grace without affectation, rail
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