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Rhadamanthus blushed. I pursued my way towards the door. "Stop!" he said, in a blustering tone. "You can't go there, you know." I smiled significantly. "Isn't it rather too late for that sort of thing?" I asked. "You seem to forget that I have been here for the last quarter of an hour." "I didn't know she was going to do it," he protested. "Oh, of course," said I, "that will be your story. Mine, however, I shall tell in my own way." Rhadamanthus blushed again. Evidently he felt that he was in a delicate position. We were standing thus, facing one another, when the door began to open again, and Dolly put her head out. "Oh, it's you, is it?" she said. "I thought I heard your voice. Come along and help me to find Archie." "This gentleman says I'm not to come in," said I. "Oh, what nonsense! Now, you really mustn't be silly, Mr. Rhadamanthus--or I shall have to--Mr. Carter, you weren't there, were you?" "I was--and a more interesting piece of scandal it has seldom been--" "Hush! I didn't do anything. Now, you know I didn't, Mr. Carter!" "No," said I, "you didn't. But Rhadamanthus, taking you unawares--" "Oh, be off with you--both of you!" cried Rhadamanthus. "That's sensible," said Dolly. "Because you know, there really isn't any harm in poor Mr. Carter." Rhadamanthus vanished. Dolly and I went inside. "I suppose everything will be very different here," said Dolly, and I think she sighed. Whether it were or not I don't know, for just then I awoke, and found myself saying aloud, in answer to the dream voice and the dream face (which had not gone altogether with the dream). "Not everything"--a speech that, I agree, I ought not to have made, even though it were only in a dream. End of the Project Gutenberg EBook of Dolly Dialogues, by Anthony Hope *** END OF THIS PROJECT GUTENBERG EBOOK DOLLY DIALOGUES *** ***** This file should be named 1203.txt or 1203.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/2/0/1203/ Produced by Theresa Armao Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the Gen
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