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damp swamp of woman's kisses, then of a truth the instrument that she put into his hand becomes a knife to sever the cords with which she sought to bind him. Such is the tragedy of her who flutters near while men make words on paper, that in their youth they write for her; and their youth gone, they still write on beyond the reaches of her soul. And so, as Gud wrote upon the whiteness torn from a woman's bosom, he forgot quite utterly the woman herself, who lay by the pool trembling and suffering and trying to hide her heart from Gud. And when she saw that he had forgotten her--even though he had told her he wanted her near him and needed her for inspiration--she suffered so that her heart died within her, and she shrank and withered and fell into the pool of the fountain, and, as a brown leaf, floated on the surface of the water. Chapter LXX When Gud had finished that which he was writing he arose and looked about him. He seemed to be searching for something, but could not recall what it was, and decided that it was of no importance. He drew on his sandals and made ready to go upon his way. But the way was long and Gud recalled that he had been weary and had been athirst. So he knelt by the fountain and stooped over it to drink. There was a brown leaf floating on the water, but he swished it away and drank his fill from the flowing fountain. Then Gud arose and girded up his loins and went on his way along the Impossible Curve. Chapter LXXI I met an old man walking through the sky, A sort of startled twinkle in his eye. "And who are you?" asked I. "I am Gud," replied he, with a frown. "Which one?" I asked, polite but terse, But without answer he went shrieking down The shadowy spaces of the universe. End of Project Gutenberg's The Book of Gud, by Dan Spain and Harold Hersey *** END OF THIS PROJECT GUTENBERG EBOOK THE BOOK OF GUD *** ***** This file should be named 33501.txt or 33501.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/5/0/33501/ Produced by Louise Davies, Roger Taft, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Founda
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