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De avertenda Peste, c. 10. [82] Journal de ce qui s'est passe a Marseilles, &c. p. 9, 10, 11. [83] De Pestilent. cap. 21. [84] Camden. Annal. Regin. Elizab. [85] Lord _Verulam_, Natural History, Cent. 10. Num. 194. [86] Plutarch lib. de Isid. et Osir. [87] De Peste, c. 22. [88] Hodges, De Peste, pag. 24. [89] Journal de la Peste de Marseilles, pag. 19. et Relation Historique de tout ce qui s'est passe a Marseilles pendant la derniere Peste, pag. 77. [90] Rhazes, De re Medica, lib. 4. c. 24. & Avicenn. Can. Med. lib. 4. c. 1. [91] Gaudereau Relation des Especes de la Peste que reconnoissent les Orientaux. [92] Mech. Account of Poisons, Essay III. [93] Notitia Ecclesiae Diniensis. [94] Vid. Observ. et Reflex. sur la Peste de Marseilles, p. 333. Transcriber's Notes: In the original text, the Preface is printed in italics. For ease of reading, non-italicized text in this section is represented by =text=. In the remainder of the text, passages in italics are indicated by _underscore_. Long "s" has been modernized. The original text includes Greek characters. For this text version these letters have been replaced with +transliterations+. The following misprints have been corrected: "Phsician" corrected to "Physician" (page 4) "that that" corrected to "that" (page 50) "Qarantaine" corrected to "Quarantaine" (page 92) "the the" corrected to "the" (page 95) Other than the corrections listed above, inconsistencies in spelling and hyphenation have been retained from the original. End of Project Gutenberg's A Discourse on the Plague, by Richard Mead *** END OF THIS PROJECT GUTENBERG EBOOK A DISCOURSE ON THE PLAGUE *** ***** This file should be named 32171.txt or 32171.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/1/7/32171/ Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Term
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