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erest in a large flour and feed establishment. The business is very prosperous. Ida Bartlett is stenographer and confidential clerk to the firm, and has a well-paying position, which will remain open for her so long as the kind-hearted young woman cares to occupy it. Matt did not fail to keep his former determination to give her a handsome Christmas present, and the two are likely to be life-long friends. As for Matt himself, he has just finished a course at Columbia College, and next month will become the junior partner in a promising young law firm. Let us wish him every success, for the honest and fearless lad who was once the Young Auctioneer deserves it. THE END. * * * * * Transcriber's Note: Illustrations have been moved closer to their relevant paragraphs. Author's archaic and variable spelling and hyphenation is preserved. Author's punctuation style is preserved. Passages in italics indicated by _underscores_. Passages in bold indicated by =equal signs=. Typographical problems have been changed and are listed below. Transcriber's Changes: Page 70: Was 'cabman' (several =cabmen= were busy getting out their horses and cabs) Page 168: Was 'auctioneeer' (This the young =auctioneer= did without hesitation.) Page 173: Was 'telergaph' (and he started for the =telegraph= office without delay.) Page 196: Was 'parter' (as Andy came in he grasped his =partner= by the shoulder.) Page 286: Was 'was was' (Matt was surprised at this statement, and he =was= also alarmed.) End of the Project Gutenberg EBook of Young Auctioneers, by Edward Stratemeyer *** END OF THIS PROJECT GUTENBERG EBOOK YOUNG AUCTIONEERS *** ***** This file should be named 31140.txt or 31140.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/1/4/31140/ Produced by David Edwards, Dan Horwood and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in
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