FREE BOOKS

Author's List




PREV.   NEXT  
|<   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122  
123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   >>   >|  
ermission to move his arm towards his cup of tea, and would then bend back to the make-belief work at which he was posing." There is a picture of interviewing! Everything so prepared, so studied, so well described to impress the subscribers of the enterprising journal. The photographer with a wide angle lens took in all that was in my studio--to "make-believe," as the camera invariably does, that the apartment was six times larger than it really is. But the artist, who _should_ idealise if the photographer could not, who so sadly interfered with my enjoying my tea, who was sent to make the most of me to raise the enthusiasm of the readers and to increase the subscriptions, succeeded in doing with his pencil what no interviewer has done with his pen,--he made me wince! Here is a reduction of the serious portrait published. I have sat down time after time to answer young correspondents' questions about the "system" to adopt for the production of caricature. I invariably end by drawing imaginary caricatures of my correspondent and fail to reply. When interviewed on the subject of caricature, I discourse on the history of the Pre-Raphaelite movement, and the technique in the work of Burne-Jones, Rossetti, and Holman Hunt, and caricature is therefore driven from our minds. However, the difficulty was solved in a very unexpected manner. One day, whilst smoking my cigar after lunch, I overheard an interview in my studio, which I here reproduce. A Pencil of mine was working away merrily shortly after the opening of the Session, when suddenly my favourite Pen flew off the writing-table, where it had been enjoying a quiet forty winks, and alighted on the easel. [Illustration] "How very awkward you are!" cried the Pencil. "See, you have knocked against and so agitated me that I have actually given Sir William an extra chin." "One more or less does not matter, does it?" rejoined the Pen. "I apologise, and trust you will make allowances for me, as I am only an artist's Pen, don't you know, and naturally rather uncouth, I fear." "Pray take a seat upon the indiarubber, and let me know to what I am indebted for the honour of this visit." "Well," continued the Pen, "I have flown over here to remind you of your promise to confess to me some of the secrets of caricature." "Ah, yes," replied the Pencil, "I remember now. I have really been so busy sketching Members of Parliament at St. Stephen's, that I had almost forgo
PREV.   NEXT  
|<   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122  
123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   >>   >|  



Top keywords:

caricature

 

Pencil

 

artist

 
studio
 

invariably

 

enjoying

 

photographer

 

sketching

 
Members
 

writing


Illustration

 
awkward
 

replied

 
alighted
 

favourite

 

remember

 

overheard

 
Stephen
 

interview

 

smoking


whilst

 
manner
 

reproduce

 

shortly

 

opening

 

Session

 
merrily
 

Parliament

 
working
 

suddenly


naturally

 

uncouth

 

remind

 

confess

 
promise
 
honour
 
indiarubber
 

indebted

 

continued

 

William


knocked

 

agitated

 
allowances
 

secrets

 

unexpected

 

matter

 
rejoined
 

apologise

 

subject

 

larger