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ed by the commanders, and displayed the usual courage and resolution of Greeks, he was sure of victory. As soon as Themistocles had finished his speech, he ordered his men to embark, and the fleet immediately afterward formed itself in battle array. Notwithstanding the strictness of the order and discipline which generally prevailed in Greek armaments of every kind, there was great excitement and much confusion in the fleet while making all these preparations, and this excitement and confusion increased continually as the morning advanced and the hour for the conflict drew nigh. The passing of boats to and fro, the dashing of the oars, the clangor of the weapons, the vociferations of orders by the officers and of responses by the men, mingled with each other in dreadful turmoil, while all the time the vast squadrons were advancing toward each other, each party of combatants eager to begin the contest. In fact, so full of wild excitement was the scene, that at length the battle was found to be raging on every side, while no one knew or could remember how it began. Some said that a ship, which had been sent away a short time before to AEgina to obtain succors, was returning that morning, and that she commenced the action as she came through the Persian lines. Others said the Greek squadron advanced as soon as they could see, and attacked the Persians; and there were some whose imaginations were so much excited by the scene that they saw a female form portrayed among the dim mists of the morning, that urged the Greeks onward by beckonings and calls. They heard her voice, they said, crying to them, "Come on! come on! this is no time to linger on your oars." However this may be, the battle was soon furiously raging on every part of the Bay of Salamis, exhibiting a wide-spread scene of conflict, fury, rage, despair, and death, such as had then been seldom witnessed in any naval conflict, and such as human eyes can now never look upon again. In modern warfare the smoke of the guns soon draws an impenetrable veil over the scene of horror, and the perpetual thunder of the artillery overpowers the general din. In a modern battle, therefore, none of the real horrors of the conflict can either be heard or seen by any spectator placed beyond the immediate scene of it. The sights and the sounds are alike buried and concealed beneath the smoke and the noise of the cannonading. There were, however, no such causes in this case to
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