FREE BOOKS

Author's List




PREV.   NEXT  
|<   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60  
61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   >>   >|  
lf a day, or it may be more, in company with one of these men. He is usually a delightful person, dignified, kind, courteous, full of fun and extremely friendly without being obtrusive. During conversation one may perhaps ask him whether he can read and write; he will probably reply that at school he was taught both. Presently one may ask him to read an advertisement, or to write down an address; he will probably reply that the light is bad, or that he is occupied with the luggage or the horses. The fact is that reading and writing are to him very much what the classics and the higher mathematics are to many an English gentleman--the subjects were included in his youthful studies, but as they have never been of the slightest use to him in earning his bread, he has forgotten all he ever learnt of them, and does not care to say so. The Sicilian, however, no matter how uneducated he may be, has an appetite for romance which must be gratified and, as it would give him some trouble to brush up his early accomplishments and stay at home reading Pulci and Boiardo, Tasso and Ariosto, he prefers to follow the story of Carlo Magno and his paladins and the wars against the Saracens in the teatrino. Besides, no Sicilian man ever stays at home to do anything except to eat and sleep, and those are things he does out of doors as often as not; the houses are for the women, the men live in the street. It is as though in England the cab-drivers, railway porters and shop-boys were to spend evening after evening, month after month, looking on at a dramatized version of the _Arcadia_ or _The Faerie Queene_. Presently the curtain went up and disclosed two flaring gas-jets, each with a small screen in front of it about halfway down the stage; these were the footlights, and behind them was a back cloth representing a hall with a vista of columns. In the rather confined space between the footlights and the back cloth there came on a knight in armour. He stood motionless, supporting his forehead with his right fist, the back of his hand being outward. "Is he crying?" I inquired. "No," replied the professor, "he is meditating; if he were crying the back of his hand would be against his face." He then dropped his fist and delivered a soliloquy, no doubt embodying the result of his meditation, after which he was joined by his twin brother. They conversed at length of battles and the King of Athens, of Adrianopoli and the Grand Turk,
PREV.   NEXT  
|<   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60  
61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   >>   >|  



Top keywords:

reading

 

crying

 

Presently

 

evening

 

Sicilian

 

footlights

 
halfway
 

disclosed

 

screen

 

flaring


street
 

England

 

houses

 

drivers

 

railway

 

Arcadia

 

Faerie

 

Queene

 
curtain
 

version


dramatized

 
porters
 

soliloquy

 

embodying

 

result

 
meditation
 

delivered

 
dropped
 

meditating

 

joined


Athens

 

Adrianopoli

 

battles

 

length

 

brother

 

conversed

 

professor

 
replied
 

confined

 

columns


representing
 
knight
 

outward

 
inquired
 
forehead
 
armour
 

things

 

motionless

 

supporting

 

writing