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tic being, and to that degree, as he was wont to claim, he was its _founder_. From all these versions (which, after all, vary hardly more than the accounts of other incidents of _Punch_ life[1]) it is not very easy at first sight to sift the truth. There is a story of the tutor of an Heir-Apparent who asked his pupil, by way of examination, what was the date of the battle of Agincourt. "1560," promptly replied the Prince. "The date which your Royal Highness has mentioned," said the tutor, "is perfectly correct, but I would venture to point out that it has no application to the subject under discussion." A like criticism might fairly be passed on each existing reading of the genesis of _Punch_. It has been worth while, for the first time, and it is to be hoped the last, to collate and compare these statements, and ascertain the facts as far as possible. Claims have been set up, variously and severally, for Henry Mayhew, Mark Lemon, Joseph Last, Ebenezer Landells, and Stirling Coyne; even Douglas Jerrold and Gilbert a Beckett have been declared originators, though no such pretentions came directly from them. Otherwise than in the spirit of the Scottish minister who exclaimed, "Brethren, let us look our difficulties boldly and fairly in the face--and pass on," I propose to take those portions of the stories which tally with the facts I have ascertained and verified beyond all doubt, and, disentangling the general confusion as briefly as may be, to present one consistent version, which must stand untainted by claims of friendship, by pride of kinship, or filial respect. It had occurred to many of the wits, literary and artistic, who well understood the cause of mortality in the so-called comic press that had gone before, that a paper might succeed which was decently and cleanly conducted. It might be as slashing in its wit and as fearless in its opinions as it pleased, so long as those opinions were honest and their expression restrained. Their idea was founded rather on Philipon's Paris "Charivari" than on anything that had appeared in England; but they plainly saw that to attract and hold the public the paper which they imagined must be a weekly and not a daily one. The Staff which was brought together consisted of Douglas Jerrold, Thackeray, Laman Blanchard, Percival Leigh, and Poole, author of "Paul Pry"--authors; and Kenny Meadows, Leech, and perhaps Crowquill--artists; with Orrin Smith as engraver. The whole scheme
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