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Steam is what makes the wheels go round, and steam is well-digested fuel and a place to put it. With this equipment a man can put "GO" into his business, strength into his literature, virility into his brush; without it he may succeed in selling spool cotton or bobbins, may write pink poems for the multitude and cover wooden panels with cardinals and ladies of high degree; in real satin and life-like lace, but no part of his output will take a full man's breath away. ***** Sunshine, flowers, open windows letting in the cool breezes from meadow and stream; an old beamed ceiling, smoke-browned by countless pipes; walls covered with sketches of every nook and corner about us; a table for four, heaped with melons, grapes, cheese, and flanked by ten-pin bottles just out of the brook; good-fellowship, harmony of ideas, courage of convictions--with no heads swelled to an unnatural size; four appetites--enormous, prodigious appetites; Knight for host and Marie as high chamberlainess, make the feast of Lucullus and the afternoon teas of Cleopatra but so many quick lunches served in the rush hour of a downtown restaurant! Not only were the trout-baked-in cream (Marie's specialty) all that the Sculptor had claimed for them, but the fried chicken, souffles--everything, in fact, that the dear woman served--would have gained a Blue Ribbon had she filled the plate of any committeeman making the award. With the coffee and cigars (cigarettes had been smoked with every course--it was that kind of a feast) the four mouths had a breathing spell. Up to this time the talk had been a staccato performance between mouthfuls: "Yes--came near smashing a donkey--don't care if I do--no--no gravy" (Sculptor). "Let me put an extra bubble in your glass" (Knight). "These fish are as firm as the Adirondack trout" (Man from the Quarter). "More cream--thank you. Marie!" (Knight, of course) "more butter." "Donkey wasn't the only thing we missed--grazed a baby carriage and--" (Scribe). "I'm going to try a red ibis after luncheon and a miller for a tail fly--pass the melon" (Man from the Quarter): That sort of hurried talk without logical beginning or ending. But now each man had a comfortable chair, and filled it with shoulders hidden deep in its capacious depths, and legs straight out, only the arms and hands free enough to be within reach of the match-safe and thimble glasses. And with the ease and comfort of it all the talk itself slowed
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