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health, and it took him three weary hours to write this little note of eight lines. I believe this to be the last complete letter that ever came from his pen. Miss Beever sent it to me with the wish "that some day I might use it," and I now fulfill that wish by inserting it here as the pathetic close to a correspondence, in which there was so much of a gay and playful nature; commending it to the "memorial sympathy" claimed by him for his earlier letters. The word "Phoca" is a signature often used by him in writing to his old friend. I have been asked to add illustrations to this Edition; and some fresh explanatory notes and dates will also be found. A. F. NEAUM CRAG, AMBLESIDE, 1902. HORTUS INCLUSUS. * * * * * BRANTWOOD, _16th March, 1874_. MY DEAREST SUSIE,-- In a state of great defeat and torment, this morning--having much to do with the weather and--not living on milk, I have been greatly helped by--one of my own books![1] It is the best I ever wrote--the last which I took thorough loving pains with--and the first which I did with full knowledge of sorrow. Will you please read in it--first--from 65 at the bottom of page 79[2] as far as and not farther than, 67 in page 81. That is what helped me this morning. Then, if you want to know precisely the state I am in, read the account of the Myth of Tantalus, beginning at 20--p. 24 and going on to 25--page 31. It is a hard task to set you, my dear little Susie; but when you get old, you will be glad to have done it, and another day, you must look at page 94, and then you must return me my book, for it's my noted copy and I'm using it. The life of Tantalus doesn't often admit of crying: but I had a real cry--with quite wet tears yesterday morning, over what--to me is the prettiest bit in all Shakespeare "Pray, be content; Mother, I am going to the market-place-- Chide me no more."[3] And almost next to it, comes (to me, always I mean in my own fancy) Virgilia, "Yes, certain; there's a letter for you; I saw it."[4] Ever your loving J. R. [Footnote 1: "The Queen of the Air." See page 70.] [Footnote 2: Cf. contemporary edition.] [Footnote 3: "Coriolanus", Act iii. scene 2.] [Footnote 4: "Coriolanus", Act ii. scene 1.] *
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