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rm of government did not last long, and in 1870 the Duke of Aosta, second son of King Victor Emmanuel of Italy, was chosen King of Spain, now a limited monarchy, as Amadeus I., and his portrait was introduced on the stamps of 1872-73. The tiny 1/4c. de peseta stamps of the former year bear a small design of a royal crown. Changes at this period followed in rapid succession, and Amadeus failing to make headway as a constitutional Sovereign resigned his troublesome crown in February, 1873, in favour of peaceful retirement in Italy. The little stamps aforementioned were changed under the new government--this time another form of republic--to shew a mural crown in lieu of the royal one, and the portrait of Amadeus gave way to an emblematic figure Peace in July, 1873. Peace! What most desire, but few can obtain and keep. Nor was the next stamp design of Justice (July, 1874) much less wide of the mark. There were actually in Spain between the revolution of 1868 and the restoration of the house of Bourbon three different types of republic, the limited monarchy under Amadeus, and a military dictatorship. In 1872, too, the pretender Carlos proclaimed himself King of Spain, and issued the celebrated Carlist stamps from 1873 to 1875. So far as the general issues of Spanish stamps are concerned, their changes subsequent to the restoration of Alphonso XII., son of Isabella II., are free from further revolutionary changes, but there are postal war tax stamps of 1874-1879, and 1898 (_Fig._ 354). [Illustration: 354] A remarkable instance of planting a bogus set of stamps on collectors occurred in connection with the Melilla campaign in 1893-1894. In the set there are 53 or possibly 54 varieties, each for a different detachment of the Spanish forces. The inventor of the scheme apparently launched his venture by going about amongst the troops, sailors, officers, etc., distributing specimens of the stamps he had conceived in their behoof, and consequently the appearance of some of the labels on letters emanating from soldiers and others at the war gave colour to the supposition that these gaudy labels had been provided by a generous and otherwise unoccupied government at Madrid. Of the fifty-three stamps, all _except_ Nos. 1 and 2 are perforated. Nos. 1 to 5 are in design of _Figs._ 355, 356, and were supposed to have been for the use of the five Army Corps. The colours are (1) black frame, arms red and yellow; (2) blue frame,
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