hich led to the temple. Adrian dedicated it a second time.
In the temple was placed a splendid statue of Jupiter Olympius, of gold
and ivory; and the courtiers added four statues of the Emperor. This
wonderful structure, which is said to have cost five millions of
_scudi_, is now in ruins. Sixteen Corinthian columns are still standing,
six feet four inches and some six feet six inches, in diameter. The
length of the temple, according to Stuart, upon the upper step, was
three hundred and fifty-four feet, and its breadth one hundred and
seventy-one feet; the entire length of the walls of the peribolous is
six hundred and eighty-eight feet, and the width four hundred and
sixty-three feet.

THE PARTHENON AT ATHENS.

This celebrated temple was built by Ictinus and Callicrates, two Greek
architects who flourished about B. C. 430. Ictinus was celebrated for
the magnificent temples which he erected to the heathen gods. Among
these were the famous Doric temple of Ceres and Proserpine at Eleusis,
of which he built the outer cell, capable of accommodating thirty
thousand persons; also the temple of Apollo, near Mount Cotylion, in
Arcadia, which was considered one of the finest of antiquity, and was
vaulted with stone. But his most important work was the famous Parthenon
at Athens, erected within the citadel, by Ictinus and Callicrates, by
order of Pericles. According to Vitruvius, the two artists exerted all
their powers to make this temple worthy the goddess who presided over
the arts. The plan was a rectangle, like most of the Greek and Roman;
its length from east to west, was 227 feet 7 inches, and its width 101
feet 2 inches, as measured on the top step. It was peripteral,
octastyle; that is, surrounded with a portico of columns, with eight to
each facade. The height of the columns was 34 feet, and their diameter 6
feet. Within the outer portico was a second, also formed of isolated
columns, but elevated two steps higher than the first; from thence the
interior of the temple was entered, which contained the famous statue of
Minerva in gold and ivory, by Phidias. This famous temple was built
entirely of white marble, and from its elevated position, could be seen
from an immense distance. On a nearer approach, it was admired for the
elegance of its proportions, and the beauty of the bas-reliefs with
which its exterior was decorated. It was preserved entire until 1677,
when it was nearly destroyed by an explosion during the si