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d drinking in and pouring out the full stream of divine and never-failing love and gratitude. Reader, did you ever listen to the sympathetic vibrations of a musical string? Place in the corner of your room a guitar--it matters not if it have but a single string, that alone is sufficient for the experiment--then, sitting at some distance from it, sing, shout, or play upon some loud-toned instrument, or, beginning at the foot of the chromatic scale, sound, round and full, each semitone in succession and at separate intervals. The instrument is mute to every note until you strike the one to which the guitar string is attuned; then indeed, the spirit of melody imprisoned within the musical string recognizes its kindred sound, and springs sweetly forth to meet it. You pause, and a low, sweet strain sighs softly through the room, as if a zephyr had swept the string, dying gently away like the faintest breathing of the evening breeze. Repeat the note, and louder than at first, and again its counterpart replies, swelling higher than before, as if in gentle remonstrance that you should deem it necessary to call again to that which has already replied. Even so it is with these hidden faculties or susceptibilities of which I have been speaking. In the notes of witching music, in the numbers of poesy, in the sight of beauty, either of nature or of art, either aesthetic or moral, these silent powers recognize a faint approximation to that beauty with which they will have to do in that world where they shall be called into action: they too recognize the kindred spirit, and, springing forward to meet it, vibrate in unison with the chord. But yet, restrained by their prison of clay, bound down by the immutable law which bids them wait their time, their great deep is but troubled, and while, from their swaying and surging, a delicious emotion spreads over the soul, filling the whole being with indescribable joy, it is an emotion which we cannot fathom, vague and undefined, at which we wonder even while we enjoy. To each and all of us the doors of heaven are closed for the present; we never have heard the songs of the celestial spheres, and how should we recognize their echo here on earth, even though that echo is swelling through our own hearts? And the sadness and yearning which such emotions invariably produce, may they not be the yearning for heaven's supernal beauty, and sadness for the chains which bar us from its full realizati
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