hotograph of an alleged portrait of
Correggio in the Parma Gallery.

1. _The Holy Night._(_La Notte._) (Detail.) Painted at the order of
Alberto Pratoneri for the altar of his chapel in the church of S.
Prospero, Reggio. Agreement signed October 10, 1522. Stolen from the
church May, 1640, and taken to Modena. Now in the Dresden Gallery.
Size of whole picture: 8 ft. 5 in. by 6 ft. 2 in.

2. _St. Catherine Reading._ Conjectural date, 1526-1528. In Hampton
Court Gallery. Size: 2 ft. 1 in. by 1 ft. 8 in.

3. _The Marriage of St. Catherine._ Date, according to Meyer,
1517-1519; according to Ricci, after 1522. Painted for the Grillenzoni
family of Modena. After several transfers it came into the possession
of Cardinal Mazarin, from whose heirs it was acquired for Louis XIV.'s
collection and hence became a permanent possession of the Louvre
Gallery, Paris. Size: 3 ft. 5-1/3 in. by 3 ft. 4 in.

4 and 5. _Ceiling Decoration_, and _Diana_, in the Sala del Pergolata,
Convent of S. Paolo, Parma. Frescoes painted in 1518.

6, 7, and 8. _St. John the Evangelist_, _St. John and St. Augustine_,
_St. Mark and St. Jerome_. Frescoes in the church of S. Giovanni
Evangelista, Parma. Painted 1520-1525.

9. _The Rest on the Return from Egypt._ (_La Madonna della Scodella._)
According to Pungileoni painted 1527-1528; according to Ricci,
1529-1530. The frame containing the picture is supposed to have been
designed by Correggio himself. It bears the date 1530, when the
picture was placed in the church of S. Sepolcro, Parma. Taken as
French booty in 1796, but returned to Parma in 1816. Now in the Parma
Gallery. Size: 7 ft. 3 in. by 4 ft. 6 in.

10. _Ecce Homo._ According to Ricci, painted during a visit to
Correggio, 1521-1522; probably first belonged to the Counts Prati, of
Parma. In the seventeenth century there were three pictures of the
subject in Italy claiming to be the original. This picture was
formerly in the Colonna family; now in the National Gallery, London.
Size: 3 ft. 2-1/2 in. by 2 ft. 7-1/2 in.

11 and 12. _Apostles and Genii_, and _St. John the Baptist_. Frescoes
in the Cathedral of Parma. Painted 1524-1530.

13. _Christ appearing to Mary Magdalene in the Garden._ (_Noli me
tangere._) Assigned by Ricci to 1524-1526. Described by Vasari as the
property of the Ercolani family of Bologna. Passing from one owner to
another, it was finally presented to Philip IV. of Spain, and is now
in the Prado Gallery, Madrid. Size: 1 ft