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* * Many years before Georges Guynemer was a student at Stanislas, a professor, who was also destined to become famous, taught rhetoric there. His name was Frederic Ozanam. He too had been a precocious child, prematurely sure of his vocation for literature. When only fifteen he had composed in Latin verse an epitaph in honor of Gaston de Foix, dead at Ravenna. This epitaph, if two words are changed--_Hispanae_ into _hostilis_, and _Gaston_ into _Georges_--describes perfectly the short and admirable career of Guynemer. Even the palms are included: Fortunate heros! moriendo in saecula vives. Eia, agite, o socii, manibus profundite flores, Lilia per tumulum, violamque rosamque recentem Spargite; victricis armis superaddite lauros, Et tumulo tales mucrone inscribite voces: Hic jacet hostilis gentis timor et decus omne Gallorum, Georgius, conditus ante diem: Credidit hunc Lachesis juvenem dum cerneret annos, Sed palmas numerans credidit esse senem.[12] It is a paraphrase of the reply of the gods to the young Pallas, in Virgil. [Footnote 12: Fortunate hero! thou diest, but thou shalt live forever! Come, my companions! strew flowers And lilies over the tomb! violets and young roses Scatter; heap up laurels upon his arms, And on the stone write with the point of your sword: Here lieth one who was the terror of the enemy, and the glory Of the French, George, taken before his time. Lachesis from his face thought him a boy, But counting his victories she thought him full of years.] This young Frederic Ozanam died in the full vigor of manhood before having attained his fortieth year, of a malady which had already foretold his death. At that time he seemed to have achieved perfect happiness; it was the supreme moment when everything succeeds, when the difficult years are almost forgotten, and the road mounts easily upward. He had in his wife a perfect companion, and his daughter was a lovable young girl. His reputation was growing; he was soon to be received by the Academy, and fortune and fame were already achieved. And then death called him. Truly the hour was badly chosen--but when is it chosen at the will of mortals? Ozanam tried to win pity from death. In his private journal he notes death's approach, concerning which he was never deceived; and he asks Heaven for a respite. To propitiate it, he offers a part of his life, the most brilliant part; h
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