FREE BOOKS

Author's List




PREV.   NEXT  
|<   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184  
185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   >>   >|  
ssessor was in a position to control the fate of the empire almost as he pleased. Osorkon must have had weighty reasons for taking a step which placed him practically at the mercy of his son, and, indeed, events proved that but little reliance could be placed on the loyalty of the Thebans, and that energetic measures were imperative to keep them in the path of duty or lead them back to it. The decadence of the ancient capital had sadly increased since the downfall of the descendants of Hrihor. [Illustration: 248.jpg SMALL BRONZE SPHINX OF SIAMUN] Drawn by Faucher-Gudin, from the original now in the Louvre. The few public works which they had undertaken, and which Sheshonq I. encouraged to the best of his ability, had been suspended owing to want of money, and the craftsmen who had depended on them for support were suffering from poverty: the makers of small articles of a religious or funerary character, carvers of wood or stone, joiners, painters of mummy-cases, and workers in bronze, alone managed to eke out a bare livelihood, thanks to commissions still given to them by officials attached to the temples. Theban art, which in its best period had excelled in planning its works on a gigantic scale, now gladly devoted itself to the production of mere knick-knacks, in place of the colossal figures of earlier days. [Illustration: 249.jpg RUINS OF THE TEMPLE AT KHNINSU AFTER NAVILLE's EXCAVATIONS] Drawn by Boudier, from a photograph in Naville. The illustration shows what now remains of the portions of the temple rebuilt in the time of Ramses II. We have statuettes some twelve or fifteen inches high, crudely coloured, wooden stelae, shapeless _ushabti_ redeemed from ugliness by a coating of superb blue enamel, and, above all, those miniature sphinxes representing queens or kings, which present with two human arms either a table of offerings or a salver decorated with cartouches. The starving populace, its interests and vanity alike mortified by the accession of a northern dynasty, refused to accept the decay of its fortunes with resignation, and this spirit of discontent was secretly fomented by the priests or by members of the numerous families which boasted of their descent from the Eamessides. Although hereditary claims to the throne and the pontificate had died out or lost their force in the male line, they were still persistently urged by the women: consecrated from their birth to the se
PREV.   NEXT  
|<   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184  
185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   >>   >|  



Top keywords:
Illustration
 

coloured

 

inches

 

crudely

 

twelve

 

fifteen

 

stelae

 
redeemed
 

ugliness

 
coating

enamel

 

ushabti

 

wooden

 

superb

 

shapeless

 
remains
 

TEMPLE

 
KHNINSU
 

knacks

 

colossal


earlier

 
figures
 

NAVILLE

 

rebuilt

 

temple

 

Ramses

 

portions

 
Boudier
 

EXCAVATIONS

 

photograph


Naville
 

illustration

 
statuettes
 

boasted

 

families

 

descent

 

Eamessides

 

hereditary

 

Although

 

numerous


members

 

discontent

 

spirit

 
secretly
 
fomented
 

priests

 
claims
 

throne

 

consecrated

 

persistently