t,
tempest, and (as I may say) the whirlwind of passion, you must acquire
and beget a temperance that may give it smoothness."]

[Footnote 281: To Jodin, xix, 382. "Point de hoquets, point de cris, de
la dignite vraie, un jeu ferme, sense, raisonne, juste, male; la plus
grande sobriete de gestes. C'est de la contenance, c'est du maintien,
qu'il faut declamer les trois quarts du temps."--P. 390.]

[Footnote 282: P. 395.]

[Footnote 283: _Bijoux Indiscrets_, ch. xxxviii.]

[Footnote 284: vii. 121. Lessing makes a powerful addition to this.
_Hamburg. Dram._ vi. 261.]

[Footnote 285: _Poesie Dramatique_, Sec.Sec. 20, 21.]

[Footnote 286: _Sienne Entretien_, vii. 138.]

[Footnote 287: _Poes. Dram._., Sec. 2. The Poetics of the Genre Serieux are
to be found, vii. 137, 138.]

[Footnote 288: i. 316.]

[Footnote 289: _Hints for an Essay on the Drama_, p. 155.]

[Footnote 290: _Hist. du Romantisme_, p. 93.]

[Footnote 291: _Der Gegensatz des Classischen und des Romantischen,
etc._ By Conrad Hermann, p. 66.]

[Footnote 292: Schopenhauer, _Ethik_, 199]

[Footnote 293: _Oeuv._, iv. 29.]

[Footnote 294: _Werke_, xxv. 291.]

[Footnote 295: The original of the text, published in the Assezat
edition of Diderot's works, was a manuscript found, with other waifs and
strays of the eighteenth century, in a chest that had belonged to
Messrs. Wuertel and Treutz, the publishers at Strasburg. Its authenticity
is corroborated by the fact that in the places where Goethe has marked
an omission, we find stories or expressions from which we understand
only too well why Goethe forbore to reproduce them.]

[Footnote 296: v. 339.]

[Footnote 297: Lucian, [Greek: Peri Parasitou], and [Greek: Peri ton epi
mistho sunonton.]]

[Footnote 298: Grimm, ix. 349.]

[Footnote 299: _Anmerkungen, Rameau's Neffe; Werke_, xxv. 268.]

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