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what I think was a nice feeling in leaving England. His sojourn in our land had not crowned him with brilliance. He was not a being created for society, nor for cutting a figure, nor for exhibiting tact and prudence in the crises of existence. He could neither talk well nor read well, nor express himself in exactly suitable actions. He could only express himself at the end of a brush. He could only paint extremely beautiful pictures. That was the major part of his vitality. In minor ways he may have been, upon occasions, a fool. But he was never a fool on canvas. He said everything there, and said it to perfection, for those who could read, for those who can read, and for those who will be able to read five hundred years hence. Why expect more from him? Why be disappointed in him? One does not expect a wire-walker to play fine billiards. You yourself, mirror of prudence that you are, would have certainly avoided all Priam's manifold errors in the conduct of his social career; but, you see, he was divine in another way. As the steamer sped along the lengthening pathway from England, one question kept hopping in and out of his mind: "_I wonder what they'll do with me next time_?" Do not imagine that he and Alice were staring over the stern at the singular isle. No! There were imperative reasons, which affected both of them, against that. It was only in the moments of the comparative calm which always follows insurrections, that Priam had leisure to wonder, and to see his own limitations, and joyfully to meditate upon the prospect of age devoted to the sole doing of that which he could so supremely, in a sweet exile with the enchantress, Alice. End of the Project Gutenberg EBook of Buried Alive: A Tale of These Days by Arnold Bennett *** END OF THIS PROJECT GUTENBERG EBOOK BURIED ALIVE: A TALE OF THESE DAYS *** ***** This file should be named 10911.txt or 10911.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/9/1/10911/ Produced by John Hagerson, Kevin Handy and the Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royaltie
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