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f imagination called into life and given each its local habitation and its name by the poet's pen working its immemorial spell upon the reader's credulity. To me D'Artagnan is rather more vital than Richelieu. Hugo's imps and Balzac's bullies dance down the stage and shut from the view the tax-collectors and the court favorites. The mousquetaires crowd the field marshals off the scene. There is something real in Quasimodo, in Caesar de Birotteau, in Robert Macaire, something mythical in Mazarin, in the Regent and in Jean Lass. Even here, in faraway Kentucky, I can shut my eyes and see the Lady of Dreams as plainly as if she were coming out of the Bristol or the Ritz to step into her automobile, while the Grande Mademoiselle is merely a cloud of clothes and words that for me mean nothing at all. I once passed a week, day by day, roaming through the Musee Carnavalet. Madame de Sevigne had an apartment and held her salon there for nearly twenty years. Hard by is the house where the Marquise de Brinvilliers--a gentle, blue-eyed thing they tell us--a poor, insane creature she must have been--disseminated poison and death, and, just across and beyond the Place des Vosges, the Hotel de Sens, whither Queen Margot took her doll-rags and did her spriting after she and Henri Quatre had agreed no longer to slide down the same cellar door. There is in the Museum a death-mask, colored and exceeding life-like, taken the day after Ravaillac delivered the finishing knife-thrust in the Rue de Ferronnerie, which represents the Bearnais as anything but a tamer of hearts. He was a fighter, however, from Wayback, and I dare say Dumas' narrative is quite as authentic as any. One can scarce wonder that men like Hugo and Balzac chose this quarter of the town to live in--and Rachael, too!--it having given such frequent shelter to so many of their fantastic creations, having been the real abode of a train of gallants and bravos, of saints and harlots from the days of Diane de Poitiers to the days of Pompadour and du Barry, and of statesmen and prelates likewise from Sully to Necker, from Colbert to Turgot. III I speak of the Marais as I might speak of Madison Square, or Hyde Park--as a well-known local section--yet how few Americans who have gone to Paris have ever heard of it. It is in the eastern division of the town. One finds it a curious circumstance that so many if not most of the great cities somehow started with the risin
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