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a man oppressed by great anguish; the other was the half-suffocated wailing of a suffering child. This soon became louder, and at length a voice said in Egyptian: "Water, a drink of water." The woman started to her feet, exclaiming: "It is the cry of the poor and oppressed who have been robbed to enrich those who have too much already; the lament of those whom Fate has plundered to heap you with wealth enough for hundreds." As she spoke these words, in Greek and with much unction, she turned to the curtain and added solemnly, but in Egyptian: "Give drink to the thirsty; the happy ones will spare him a drop from their overflow. Give the white drink to the wailing child-spirit, that he may be soothed and quenched.--Play, music, and drown the lamentations of the spirits in sorrow." Then, turning to Heliodora's kettle she said sternly, as if in obedience to some higher power: "Seven gold pieces to complete the work,"--and while the young widow drew out her purse the sorceress lighted the lamps, singing as she did so and as she dropped the coin into the boiling fluid: "Pure, bright gold! Sunlight buried in a mine! Holy Seven. Shashef, Shashef! Holy Seven, marry and mingle--melt together!" When this was done she poured out of the cauldron a steaming fluid as black as ink, into a shallow saucer, called Heliodora to her side, and told her what she could see in the mirror of its surface. It was all fair, and gave none but delightful replies to the widow's questioning. And all the sorceress said tended to confirm the young woman's confidence in her magic art; she described Orion as exactly as though she saw him indeed in the surface of the ink, and said he was travelling with an older man. And lo! he was returning already; in the bright mirror she could see Heliodora clasped in her lover's arms; and now--it was like a picture: A stranger--not the bishop of Memphis--laid her hand in his and blessed their union before the altar in a vast and magnificent cathedral. Katharina, who had been chilled with apprehensions and a thrill of awe, as she listened to Medea's song, listened to every word with anxious attention; what Medea said--how she described Orion--that was more wonderful than anything else, beyond all she had believed possible. And the cathedral in which the lovers were to be united was the church of St. Sophia at Constantinople, of which she had heard so much. A tight grip seemed to clutch her heart; still, e
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