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coloured again, and put her horse to the trot. "Onwards and upwards," he cried. "Veni, vidi, vici, ascendi." "It seems to me," she laughed, "that so much education is thrown away on the stock market." "Whether you will be any happier higher up," he went on, "God knows. Sometimes I think you ought to go back to the Arcadia you came from. Did you pick out Spence for an embryo lord of high finance?" "My excuse is," replied Honora, "that I was very young, and I hadn't met you." Whether the lion has judged our heroine with astuteness, or done her a little less than justice, must be left to the reader. Apparently he is accepting her gentle lashings with a meek enjoyment. He assisted her to alight at her own door, sent the horses home, and offered to come in and give her a lesson in a delightful game that was to do its share in the disintegration of the old and tiresome order of things--bridge. The lion, it will be seen, was self-sacrificing even to the extent of double dummy. He had picked up the game with characteristic aptitude abroad --Quicksands had yet to learn it. Howard Spence entered in the midst of the lesson. "Hello, Brent," said he, genially, "you may be interested to know I got that little matter through without a hitch to-day." "I continue to marvel at you," said the lion, and made it no trumps. Since this is a veracious history, and since we have wandered so far from home and amidst such strange, if brilliant scenes, it must be confessed that Honora, three days earlier, had entered a certain shop in New York and inquired for a book on bridge. Yes, said the clerk, he had such a treatise, it had arrived from England a week before. She kept it looked up in her drawer, and studied it in the mornings with a pack of cards before her. Given the proper amount of spur, anything in reason can be mastered. End of Project Gutenberg's A Modern Chronicle, Volume 3, by Winston Churchill *** END OF THIS PROJECT GUTENBERG EBOOK A MODERN CHRONICLE, VOLUME 3 *** ***** This file should be named 5376.txt or 5376.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/3/7/5376/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy
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