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in the last long sleep with those whose lives had crossed with mine and led my feet on unknown trails. But there lay a debt upon me which would not let me rest. 'And the way was long, the cold bitter, and there was little grub. The Pellys had found no moose, and had robbed my cache. And so had the three white men, but they lay thin and dead in their cabins as I passed. After that I do not remember, till I came here, and found food and fire--much fire.' As he finished, he crouched closely, even jealously, over the stove. For a long while the slush-lamp shadows played tragedies upon the wall. 'But Unga!' cried Prince, the vision still strong upon him. 'Unga? She would not eat of the ptarmigan. She lay with her arms about his neck, her face deep in his yellow hair. I drew the fire close, that she might not feel the frost, but she crept to the other side. And I built a fire there; yet it was little good, for she would not eat. And in this manner they still lie up there in the snow.' 'And you?' asked Malemute Kid. 'I do not know; but Akatan is small, and I have little wish to go back and live on the edge of the world. Yet is there small use in life. I can go to Constantine, and he will put irons upon me, and one day they will tie a piece of rope, so, and I will sleep good. Yet--no; I do not know.' 'But, Kid,' protested Prince, 'this is murder!' 'Hush!' commanded Malemute Kid. 'There be things greater than our wisdom, beyond our justice. The right and the wrong of this we cannot say, and it is not for us to judge.' Naass drew yet closer to the fire. There was a great silence, and in each man's eyes many pictures came and went. The End End of the Project Gutenberg EBook of The Son of the Wolf, by Jack London *** END OF THIS PROJECT GUTENBERG EBOOK THE SON OF THE WOLF *** ***** This file should be named 2377.txt or 2377.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/7/2377/ Produced by an anonymous Project Gutenberg volunteer. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in t
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